Tonight I have a wonderful professional opportunity. I will be one of twelve poets (yes, on occasion I write poetry, too) reading at Minneapolis Central Library as part of the city’s Pride Week. The readings will be from two books: Among the Leaves: Queer Male Poets on the Midwestern Experience and When We Become Weavers: Queer Female Poets on the Midwestern Experience. [I have absolutely no clue why it’s not letting me link the full title there–must be a bug.] I have six poems in the former book and will be reading two.
Now, it is a very funny story how I ended up in this anthology. This time last year, I was in Introduction to Creative Writing, taught by G.E. Patterson at Metropolitan State University. As is typical of many such classes, the course was broken down into three units: poetry, nonfiction, and fiction. I wanted to get done with the poetry unit as soon as possible because I did not like poetry, contemporary poetry in particular. I thought contemporary poetry was sloppy, no structure, no reason to it. Lines were broken randomly, and all the classical features I had been taught in high school were tossed to the wind. Besides, I think like every high schooler, I didn’t think that damn wheelbarrow meant anything.
But Mr. Patterson opened my eyes to poetry. Seemingly random breaks were used to emphasize words and to create new meaning. A poem was not meant to tell a story, but to capture a moment. A poem must be read multiple times before you can catch all of its meaning and intention. And, of course, he had me writing poetry that fit this new paradigm.
At about the end of the poetry unit, I went to the launch party of couplets for a shrinking world, a poetry collection by my friend John Medeiros. The party was to open with a reading, and as is typical of everything in the creative world, it was getting a late start. So, being an extrovert who was there by myself, I got to talking to strangers around me. Behind me was a gentleman named Raymond Luczak, who, upon hearing that I was writing poetry, said, “Well, I thought I knew every gay poet in the Twin Cities, but I guess I didn’t. Listen, I’m publishing an anthology of poetry from queer male poets. The deadline for submission was two weeks ago. But, if you can submit to me eight poems germane to the Midwestern experience within 24 hours, and they’re good, then you’re in. I’ll publish six, but I want eight to pick from.”
I’m not one to pass up opportunities like that, so I agreed, and after the festivities, headed home and pored over my poetry–all of which at this point was school assignments. I figured out what might fit the theme, and came up only with five poems. It was getting late. I went to bed, thinking I could write poetry better after a good night’s sleep, with a fresh mind. (To this day, I prefer to write in the morning.)
The next morning, I looked through some of my prose work and found a piece that could be reworked into a poem. After I rewrote that piece, I pulled two more poems out of thin air. I e-mailed the poems to Raymond with about five hours to spare.
He contacted me straightaway, and said that he liked the work, but that one piece needed to be tightened, and that another was poorly expressed and came off unintentionally racist. (When I do something unintentionally racist, I want to be called out for it so I can contemplate how I could have done things differently, and correct course in the future. The surest corrective of white privilege is humility.) So I tightened the first piece, and wrote yet another new poem to replace the accidentally offensive work, resubmitted, and got the okay.
And that is how I got my first publishing credit. I think there are some lessons in this story:
If you’re a writer, go to literary events as much as possible. It pays to keep your big yap open. Strangers are some of the coolest people–you never know who you’re talking to. Write enough so that you have a healthy backlog of material–you never know when some finished work will come in handy. Pressure can produce creativity. You don’t have a say about how something should affect a group you don’t belong to–to believe otherwise is a cornerstone of privilege. Keep your eyes open: opportunity can pop up in the strangest places. And to have strangers read your work is one of the most awesome and humbling things in the world.
Oh, yeah, if you’re reading this and live in the Twin Cities area, consider dropping by for the reading this evening:
Gay Pride: Poetry Reading
Minneapolis Central Library
Pohlad Hall, 300 Nicollet Mall, Minneapolis, MN, 55401
Tuesday, June 25, 7–9 p.m.
Listen to local GLBTQ authors who contributed poems on the Midwestern experience in two Squares & Rebels anthologies: “When We Become Weavers” edited by Kate Lynn Hibbard and “Among the Leaves” edited by Raymond Luczak.
This project is funded with money from Minnesota’s Arts and Cultural Heritage Fund.
Presented in partnership with Queer Voices Reading Series of Intermedia Arts.
[Despite what the library website says, registration isn’t necessary.]
When I was in eighth grade, I went on my first winter retreat. I had been attending my church for less than a year, and this was only my second out-of-town trip with my church’s youth group, the first being a canoe trip the previous summer. I didn’t even know exactly what a retreat was, but it sounded like a lot of fun.
My youth group, as well as the youth groups of three or four other churches, traveled 45 minutes east to a church camp in Brown County, Indiana. The area, popularized by early-2oth-century painters who established an artists’ colony, is most famous for the “Little Smokies”, its rolling hills that turn brilliant red come autumn, attracting a million visitors a year, mostly in October. Tucked in these wooded hills was the church camp. Here, young people could get away, have fun, and learn about God.
The featured speakers of this trip were a foursome from Wichita, ranging in age from 18 to 23. They performed music (which I remember best because they insisted that we not applaud their performances, as “the praise should only go to God”), acted out goofy sketches, and most importantly, informed us of their most important mission: to assist youth in establishing Bible-study clubs in our public schools.
We learnt all the ins and outs of the Equal Access Act of 1984, under which we were permitted to start the Bible studies. There were stipulations, of course. A club had to have a faculty sponsor but could not actually participate in the meeting. We had to approach the school administration about starting the club, and the Kansans equipped us with all the documents necessary to do so. We could not publicize the Bible study with fliers, relying solely on word of mouth.
The most important matter they impressed upon us was that, if a public school allowed one club, by law, they had to allow for all clubs. If the school had a chess club, it had to allow a Bible study as well, as long as it abided by the law. Conversely, if a school allowed a Bible study, it had to allow any other club, even, as they told us, a Satanist club. (Why folks back then thought there were Satanists around every corner I have no idea, since I could see no evidence of it in my school. But t-shirts featuring heavy-metal bands like Metallica were supposedly a sign.)
My, how times have changed. The movement in recent years, in light of prominent cases of bullying and suicides, has been to start GSA’s–Gay-Straight Alliances–in public schools. These spaces are intended simply to provide moral support to lesbian, gay, bisexual, transgender, and other sexual- and gender-minority students, a respite from the taunts and violence they face. But it seems good evangelicals will not allow for this because, apparently, gays are worse than Satanists, and have been putting a stop to GSA’s at every turn.
The law looks a little different now, too. In her book The Good News Club: The Christian Right’s Stealth Assault on America’s Children, Katherine Stewart details the impact of the 2001 Supreme Court decision Good News Club v. Milford Central School, which now gives broader permissions to religious groups in public schools, including (as Stewart details in the book) faculty-sponsored evangelism and the ability for churches to meet in public schools rent-free (and thus paid for by tax dollars, as the churches will use electricity, water, etc. paid with tax dollars). As to that last point, I bear in mind to point out that this is not the same as, say, when church caught fire when I was a senior and we rented from my high school until we could build and move into a new building a couple of years later. These are churches meeting in schools with no plans to vacate or pay rent.
But back to my earlier point, about “the gays” supposedly being worse than Satanists. This whole toxic mentality is so far removed from the Jesus I was taught about from the Bible. Matthew 5:44: “But I tell you, love your enemies and pray for those who persecute you” (New International Version). I see little love from many evangelicals towards lesbian, gay, bisexual, and transgender people. Instead, I see vitriol, bitterness, and explicit moves to undercut any attempt to be treated equally under the law. (For instance, this article describes well the state of affairs with regard to same-sex civil marriage.) And I don’t see prayers for “enemies” being the most common response to the day. The ballot box and the lobbyist have replaced prayer.
I’m not a Christian anymore, but I’d be a fool to claim that some of the ideals I learnt as a Christian haven’t stuck with me. Unfortunately, the values I most cherish and live by–love, equality, compassion–are becoming harder and harder to find in those who bear the name of the one who taught those values. I’m fortunate to know Christians who break this mold, and to them I say, live boldly, defy your leaders when they replace the pulpit with the political party, and may you continue to live graciously and compassionately.
Advance in love. Do not retreat.
I have often said that one of my weak points is self-promotion. Well, let me fix that here.
My poetry was recently admitted for publication in a new anthology called Among the Leaves: Queer Male Poets on the Midwestern Experience. This is my first official publishing credit, and I am proud, humbled, and excited, all at once. If you are interested in purchasing the book, you can do so here. The book will be released October 1, 2012, and pre-orders currently include free shipping (through September 30) . Plans are also underway for a Kindle edition. Having read an advance copy, I can attest that I’m in there with some excellent poets.